Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, August 3, 2017

Through

I can see you through the knothole
Playing behind the fence,
But what a great big world you're missing.
Of the pain and agony of war you do not know,
And the joy of freedom you can only guess.
Your world is the sandbox and the jungle gym,
And your innocence is enviable.

I can see you through the chain link screen,
Playing baseball behind the backstop,
And what a great big outfield before you.
You can be anything you want to be.
Your idols are doctors, lawyers, and policemen.
So you take the pitches as they come,
And your choices are so limitless.

I can see you through the plate glass window,
Playing student in the classroom,
Giving direction to your teenage life.
Decisions to make and deadlines to meet,
And rules to break and friends to greet.
Life leaves you hanging in doubt and hesitation,
And your attitudes are so rebellious.

I can see you through the one-way mirror,
Standing in front of the scale.
Finger-printing and posting bail
Are routines you are not accustomed to.
Who will you dial with your single phone call?
You have decisions to make in hallowed halls,
And your innocence is questionable.

I can see you through the spaces between the iron,
Playing cards behind the bars.
But what a small world you are locked into.
Of the pain and agony of prison you have a clue,
But of the joy of freedom you can only guess.
Your enemies are doctors, lawyers, and policemen,
And your choices are so limited.

I can see you through my tearful eyes
Lying in the open casket,
But what a great big world you left behind.
You could have been anything you wanted to.
So you took the pitches as they came,
And life left you hanging in doubt and hesitation,
And judgment of your innocence is out of our hands.

© Eric R. Eaton, circa 1981

Thursday, April 9, 2015

Geometry

Chessboard clearcuts
With power-tower pawns
Protecting
Electric station queen.
Checkmate,
Progress wins again.

Nazca lines
Make no sense
Only cars know their destinations.
Circle fields
Rolling
Along tangent roads.

Bridges
Bisect rivers,
Span lakes.
Dams
Divide streams,
Diverted water is confused.

Eric R. Eaton, circa 1982.

Saturday, January 21, 2012

Tropica Botanica


Houseplants grow here
Unexpectedly.
We feel a bit deflated,
Having thought our apartment
Was their natural habitat.
Waterfalls,
Not watering cans,
And squalls,
Not spritzers,
Are what the foliage needs.
Now,
We are in their element,
Their apartment,
And imagine them whispering:
Is this their natural habitat?

Eric R. Eaton, circa 1989

Image of Monstera Plants at Rainbow Falls, Wailuku River State Park, Island of Hawaii, by Jeff Gnass and featured in the Wilderness 1989 Sierra Club Engagement Calendar. It inspired the poem.

Friday, January 13, 2012

Timberline

Hemlock tops
Boughed in prayer
To the Sun God,
To the Snow God.
Winter Water weight gain
Shed with the thaw,
Hemlock heads
Bending like Narcissus
To admire their own beauty.

Eric R. Eaton, circa 1989

Monday, December 26, 2011

Art

The palette knife of Nature
Paints impressionist reflections
In shards of ice.
Mountains merge with sky
On upside down horizon.
Pigments thicker here,
Absent there,
And rough edges everywhere.
Leroy Neiman's landscape,
Stucco patterns in a plaster world.

Eric R. Eaton, circa 1989

Saturday, December 17, 2011

Re-Verb

Ram-impact
Rebounds,
Ricochets off
Rock walls,
Riveting the attention of
Ravens

Rattlesnake shakes,
Re-coils,
Re-enters his
Rodent burrow
Resovling to
Return

Eric R. Eaton, circa 1985

Saturday, October 29, 2011

Rut

The asymmetry of antlers
Doesn't bother the caribou
At peace with imperfection.
A worn pointer,
A broken rack,
It doesn't matter.
No mirrors to reveal deficiencies,
The girls know no better.

Eric R. Eaton circa 1989

Friday, May 6, 2011

Haiku

Haiku seems to be making a resurgence in literary circles these days, as well as among naturalists (and friends) like Susan J. Tweit, Julie Zickefoose and Abigail Parker. Abby once committed to one haiku a day, and her verses are wonderful.

My most recent attempt to date is this:

Flaming clouds at dusk
Sear the sunset sky to black
Embers glow as stars

A previous attempt yielded something silly, based on watching traffic one morning while waiting for the bus:

Speeding trees go by
Riding in truck flowerbed
Destination home?

I would love for readers of this blog to share their own haiku poems; and also share their secrets for writing regularly in an age that eats your time before you know it is gone. Take care, friends.

Tuesday, December 21, 2010

Treats

Berries encased in ice,
Frozen delights on a stick
That children lick,
But without synthetic spice

Berries embedded in ice,
Frozen delights on a stick
That birds can't pick,
But other seeds will suffice

Wednesday, May 19, 2010

Remembering Mount St. Helens

Today (okay, yesterday, I’m always behind in this kind of thing) marks the 30th anniversary of the major eruption of Mount St. Helens in Washington state. I remember May 18, 1980 vividly, and I recall the mountain before and after that day, too.

It was a Saturday, and I woke up late at my fraternity house in Corvallis, Oregon. As I approached the breakfast table a fellow Delta Chi asked if I’d heard that “Mount St. Helens has been going [off] all day.” A major eruption had been expected for some time, since flurries of minor earthquakes and steam and ash plumes had riveted the attention of geologists, politicians, and emergency personnel months earlier.

Everyone in the frat house was gathered in the television room of our house mom, with their jaws on the floor. No wonder. The aerial footage of the ongoing cataclysm was mind-boggling. What I recall most is seeing an entire forest, or what used to be a forest, barreling downstream on the Tuttle River, which had become a wall of water, mud, and volcanic ash. It looked like the Devil had thrown everything into the Blender From Hell.

Later, we learned of just how immense the event was, and how widespread the damage. The ash cloud had blown east, plunging Spokane, Washington into total darkness at midday, and threatening to suffocate anyone who ventured outside. The “blast zone” was marked by trees mowed over like….well, it defies words.

Seventy-one people perished in this nature-gone-nuclear event, most still officially “missing” because recovery was just impossible. One individual, reporter Dave Crockett of KOMO TV in Seattle, miraculously escaped death, but he couldn’t believe it himself. “At this moment,” he huffed and puffed from the ash-thickened air, “I honest to God believe I’m dead.” The images from his video camera actually seemed to verify that conclusion. A dim, distant light in an otherwise totally black screen suggested that characteristic “tunnel” that those who have near-death experiences report on the other side of their ordeal.

The aftermath of the eruption was felt throughout the Pacific Northwest. Volcanic ash, which amounts to pulverized glass, fell everywhere; and prompted outdoor workers to don filter masks throughout the summer when diminished rainfall let the dust become airborne once again. I had to do that myself, working the summer installing office furniture.

The show was not over, either. The mountain spouted off again in the late afternoon of July 22, 1980. While the May 18 event had been shrouded in the usual overcast skies, the July display was visible for miles. Rush hour traffic came to a standstill as motorists gawked in amazement at the mushroom cloud over the summit (now nearly 2,000 feet lower in elevation than before the May 18 eruption). Indeed, I was in the car with my mother and stepfather, and we decided we’d dash up I-5 for a better look (Mt. St. Helens is roughly fifty miles North-Northeast of Portland).

Beyond the horrors of the natural disaster, the chronicling of the story introduced us all to a myriad of human characters, like the cantankerous Harry Truman, resident of Spirit Lake, who refused to obey evacuation orders prior to the eruption. The story educated us by explaining terms like “pyroclastic flow” and “lava dome.” To this day the mountain landscape demonstrates the resilience of nature, even after it is quite literally paved over. It also inspired artists and writers. I wrote this poem sometime after May 18, 1980:

The Last Day of Mount St. Helens

Peaceful sloping hill in May
With somber tones of brown and gray
That do not fortell
Of disaster yet to come this day.
Eight twenty-nine and all is well,
Then gentle, sleeping mountainside
Comes unglued in massive slide.
A giant terrestrial tidal wave
Lays seventy-one in an ashen grave.
Sandy taste and sulfur smell
Hands each of us a piece of Hell.

I sometimes still prefer to remember Mount St. Helens from a trip to the “Ape Caves” led by my high school biology teacher, Karen Wallace, one Saturday in 1978(?). It was still the familiar “ice cream cone” summit back then, still a forested wilderness. There is no going back now, of course, and I have to wonder how many people get to witness a volcanic eruption in their lifetime. Geologic events generally happen on a geologic time scale, and one has to appreciate the natural and historical elements of such phenomena.

I am very interested to hear about your memories of that monumental day, or your memories of the mountain in general. Please share them here.

Wednesday, December 9, 2009

Garlands

We decorate
Our Christmas trees
And defend such frivolities
As festive.
But it is no accident
That Yuletide cheer
Falls near winter solstice
Each and every year.
Impatient for Spring
We string the lights
Like flowers bright
To guide us through long winter nights.

Color, color,
We need more color.
Break out the holly
And the evergreens
To spruce up the snowy holiday scenes.
Autumn leaves have all dispersed
And flower blooms
Are still far off.
So why pretend?
Why not admit?
We need Nature all year long
To keep our hearts merry
And our spirits strong.

Eric R. Eaton, circa 1988

Wednesday, December 2, 2009

Winter Mourn

Life huddles on a winter-dead tree.
Birds feather-fluffed crouch low,
Eyes shut to cold onslaught.
Moss uncombed
Drapes over shoulder limb.
A fungus staircase
Up the bumpy trunk
Provides an avenue
For a meandering snail.

Sudden flight
Cracks cloud, leaves branches
Bouncing in good-bye.
Torn shroud of gray
Re-sews itself.
Lonely twigs lace the sky
And mourn the bird-loss
With heavy dew-tears.

But moss still clings,
Fungus holds fast,
And snail still lingers.

Eric R. Eaton
circa 1981

Sunday, October 25, 2009

Masterpiece

Spider silk connects the dots,
The toothy edges
Of an alder leaf,
Gilding the flamboyant colors
Of aging foliage
In a silvery, oval frame
Hung in the fleeting gallery
Of fall.

Eric R. Eaton
circa 1983

Do you like the odd poem here on this blog? Want more? You can read more over at my poetry blog, Verse-atility.

Friday, September 25, 2009

International

Parallel lines
Of paper birches
Fade to plaid
When crossed
With reflections
Of sky and water
In sunset shades
Of red and green,
The Scottish fabric
Of an American grove.

Eric R. Eaton
circa 1988