Stealing Minds and Destroying Morale: LibGen, Meta, and AI

Last week I learned that all four of the books for which I am sole author, or co-author, were illegally pirated by Library Genesis (LibGen). The LibGen database was in turn scraped illegally by Meta, the parent company of Facebook, Instagram, and Threads, for the purpose of training the company’s AI (Artificial Intelligence) program in use of the English language. How many literary works were compromised? What recourse do authors have? Why is this a problem? Go make the popcorn and brace yourself.

I am not alone in having my works taken illegally, without notification, without my consent, and certainly without compensation. An estimated 7.5 million books, articles, and scientific papers are on the LibGen website. Nearly all of my writer and science friends, and even their parents, are victims of this intellectual property theft. If you have ever had anything published, you need to search LibGen.

Thankfully, The Atlantic magazine provides a search tool, for free, in the top left corner of the page in this hyperlink. Use it. Search for the names of people you know, and notify them if their works appear.

If you are not already a member of the Authors Guild, I strongly recommend becoming one. This particular case is high profile, but only the tip of the iceberg. There are many other piracy platforms that provide free access to literature without compensating the author or the publisher. Authors Guild has a strong legal team that fights for the rights of authors against copyright violations, against book bans, against publishing scams aimed at newbie authors, and many other issues including slow payment and non-payment by publishers.

You may hear from various sources that LibGen is actually the “good guy,” and it is only Meta that is at fault in this case. Publishing is a complicated industry, its landscape changing almost daily. One argument I saw praising LibGen involves the fact it “archives” ebooks, which became even more important after February 26, 2025. On that date, Amazon made it impossible to download ebooks from Kindle to your computer, or any device over which you have control of the files. The fact that you can fetch them from LibGen does not let that pirating company off the hook, it simply punishes Amazon and the authors of those ebooks.

Most publishers of scientific journals truly are evil, though. First, the author pays page fees to have their work published. Then, the publisher puts those papers behind a paywall that essentially shuts off access to the general public. I confess that without the “services” provided by the kin of LibGen, I would have extraordinary difficulty in conducting research for my own books. I simply do not have the time to contact the author of a given paper, provided they are still alive, with a public email address, and ask them if they can provide me with a PDF of the paper I am seeking. God forbid that capitalism could keep its dirty fingers out of the pie of collective knowledge we should all be able to access, and that authors should not have to pay to publish.

Back to the current issue for a moment. What can authors do? Class action lawsuits against Meta are in the works, and I will likely let Authors Guild and the law firms do the heavy lifting on the behalf of us authors. AG also has a ”What Authors Need to Know” page listing additional courses of action, including a template for a letter you can send to Z-man, the CEO of Meta, to express your outrage, and/or concern. If your life can function without Facebook, Instagram, and Threads, you may want to consider alternative social media like Bluesky.

Why is all of this a problem? Authors and writers are already compensated precious little for what we produce. Many of us never see royalties, and “advances” ahead of publishing are becoming more of a rarity all the time. This devaluation of our skill set, imagination, and creativity is something we already suffer, without the added attacks of piracy and plagiarism, and the indignity of being replaced by AI tools.

I came across a YouTube video above, by Del Stone, Jr., that captures perfectly my own sentiments. The view that intellectual property is not worthy of respect, but instead something to be “harvested” and used against creative people in the future is demoralizing AF, as the kids these days would say. What these corporations are doing is robbing people like me of the desire to continue creating content, and stimulating critical thinking by our readers.

You wonder why I rail against capitalism on this blog? Now you have some idea. I can no longer promise new posts here, or over at my Bug Eric blog. What is the point? Why should I continue to provide free fodder for AI machines? I’m open to persuasion, but for now I may stick to putting out a book every so often, and doing the odd article for the few editors I treasure. Thank you, and good luck.

Writers Have a Right to Rant

© Pixabay.com

The best rants are written so well that they do not offend. At least, they do not give an impression of being self-serving, or even bitter. The best rants create an understanding where there was none before. Today, I hope to deliver just such an essay, about what life is like as a writer in the digital age.

First, traditional markets for non-fiction writers are ever dwindling. Magazines are disappearing, their circulation sliding as people turn more and more to online content. The magazines that still exist are relying less and less on freelancers, so there are even fewer prospective clients to approach. One of my favorite, and most dependable, clients was forced last year to limit freelance work to in-state authors only as a result of state congressional mandate (which applied to all government agencies hiring contractors).

Second, if you manage to land an assignment, the time lag between when you deliver and when you are compensated can vary from a few weeks to months, even years. You always aim, as a writer, for clients who "pay on acceptance." That means that once they receive and approve your article, they cut you a check. Many magazines, however, pay "on publication." Editorial calendars typically work several months or more in advance, so even if they love your piece, you will not be paid until it goes to press.

There is no guarantee that even if the editor agreed to entertain your piece, that it will ever see the light of day in the publication. New writers almost invariably have to write "on spec," short for speculation, until they can demonstrate to the editor that they provide quality content and meet deadlines consistently. Good publications will offer a "kill fee," a percentage of the contracted payment amount for the article, if for some reason they cannot use the completed assignment. Really good publications will pay a "finder's fee" for research you do that they want to keep on file and perhaps spread over several articles.

The continuing expectation of free content from yourself, dear reader, feeds into the collective devaluation of all forms of artistic expression, from photography to painting to literature to music....and that is when you are not stealing those images and passages to raise your own profit margin. Hear that, advertising agencies and corporate marketing departments? This is a rampant criminal enterprise flying under the radar. I, myself, have had my entire Bug Eric blog reproduced without my authorization.

Copyright infringement has become so obscene that many writers, photographers, and artists now devote more time to writing Digital Millennium Copyright Act (DMCA) takedown notices to search engine and blog platform providers than they do to producing new material of their choosing. One author I know regularly files suit for infringement; but you have to register your work with the U.S. Copyright Office, at $35 a crack, to be eligible to file lawsuits. She now earns more from lawsuits than she does from new projects.

When you put all these factors together, writing presents itself as an occupation that is disrespected, pays little and rarely with any predictable frequency, and is subject to copyright infringement at any time. Consequently, we have mostly beleaguered, demoralized writers who mutter "what's the use?" to themselves every time they plop down behind their keyboards; and, not surprisingly, few new writers are emerging to take their place.

I don't know what we should expect from a culture and society that has devolved in its ability to spell words correctly, and arrange them in grammatically appropriate ways. That is, when we even use words. Every damn thing is an acronym anymore, with resulting confusion, misunderstanding, and inappropriate assumptions that serve only as fodder for "Damn You, Autocorrect!" Clear communication is vital to the sustainability and advancement of civilization. We devalue writers at our collective peril. They are not out to make a monetary fortune, but they deserve to make a living.

© Myriadeditions.com

Success and Failure

Earlier this year I reached a decision that might be considered a failure, but my conclusion remains that it was for the best. We are collectively too self-critical, and what I want to do in this post is share how I have learned to re-frame experiences and recapture self-esteem and motivation.

The Project

Back in 2014, I signed a contract to write a field guide to U.S. spiders for an academic publisher. This sounded great at the time, but soon became overwhelming to me. I found it difficult to even begin outlining the book, and I suddenly felt inadequate in my knowledge and organizational skills. My editor was so "hands-off" as to be essentially absent, and I am not a self-motivated individual. I need deadlines. These and other reasons led me to cancel the contract.

I felt most disappointed for those who knew I had this project going and who were looking forward to my "slant" on the subject. I felt I had failed them, much more than failing myself. There is also the problem of paying back the advance. Fortunately, the publisher is being most generous with terms of re-payment. Meanwhile, I have been able to cultivate a couple new clients for smaller projects that are less daunting in scope.

Books I've had a hand in producing

Take Stock

One of the first things I did after this life-altering decision was to lay out all the other books I have had a hand (or at least a finger) in producing. I was surprised at the number, and I even forgot about one book to which I'd contributed an image; and another book to which I contributed a couple chapters but was so expensive I couldn't afford my own copy. This might seem like an exercise in egotism, but not so. It helped me to realize that I have a lot to be proud of already, and that successes can happen again.

Define "Failure"

Another thing I did was to ask myself "is this decision to terminate the contract really a failure?" My spouse might agree that it was, at least financially, but the stress relief alone was worth it to me. Recognizing my limits and my lack of motivation was actually something of a success, though I wish I had realized that sooner. Still, one does not always realize whether a project is a good fit or not until one is immersed in it. There are no "good guys" or "bad guys" in this scenario, just different methods of working. My editor at the university press is a nice man, we just did not have compatible approaches to the project. We parted ways amicably, and it appears I may have found him a much more qualified author to execute the project.

Moving On

Making up for lost income is always a great motivator, but given that my subject niche is so narrow, and markets for it evaporating almost weekly, I have to get really creative. I also have to be persistent, negotiable on payment, and dependable in delivering what I agree to. I may have to self-publish book-length projects from now on because traditional publishers are so reluctant to risk taking on new authors. Fortunately, thanks to advances in technology, and the evolution of social media and crowdfunding, self-publishing is now easier; and the quality of self-published books can equal or even exceed that of the big houses.

Don't Apologize

I advise against apologizing unnecessarily for decisions that might disappoint third parties. You do not owe anyone except yourself (and your family if you have one). You don't even owe friends and consumers an explanation. What you owe yourself is forgiveness, a positive outlook for the future, and a renewed commitment to your own personal goals. Set standards. Decide what you will and will not compromise on with your clients. Treat them fairly, but treat yourself fairly, too. Do not be afraid to say "no," especially if your instincts are sounding alarm bells. You have to protect yourself in a marketplace rife with thieves and immoral degenerates. Do your homework on clients before you approach them, if possible, to avoid the bad eggs.

End of Advice

Whatever your own occupation, vocation, or art, I hope you never feel like a failure. What really matters, of course, is our character. That is what governs all of your relationships, be they professional or personal. Strive to accept who you are, and better those "weaknesses." Some days you'll have setbacks, but how you interpret them determines your success tomorrow. Good luck.

Tucson Festival of Books

This past weekend, March 12-13, 2011, I had the pleasure of participating in the third annual Tucson Festival of Books, “Where Words & Imagination Come to Life.” Held on the campus of the University of Arizona, it drew an estimated 100,000 people over the two days.

On Saturday afternoon I was part of a three-person panel, moderated by Justin Schmidt, discussing “Southwest Dangers: Things That Sting, Bite, Poison…and Kill.” Also on the panel was Amy Stewart, author of Wicked Plants, and the soon-to-be-released Wicked Bugs. Scott Calhoun, another resident Tucsonan and garden writer, rounded out our trio.

I was all prepared to hate Amy Stewart for treading on “my” turf with her Wicked Bugs book, but she is actually humble, friendly, and impossible to dislike. No pretense whatsoever, and that also applies to Scott. Once we were finished with the panel discussion and booksigning that followed, we got a head start on the author’s reception at a local bar. Later, we had dinner with Simmons Buntin, founder and editor of the online journal Terrain. I could not have asked for a better day, or better colleagues and companions.

I am not at all sure who decided I belong is this esteemed company, but the organizer of the panel, Jenn Berry of the Pima County Library, was very appreciative of all of us. I know I sure enjoyed the experience, and hope to do more of this kind of thing in the future. I do think I need at least one more book under my belt, though….

Being an audience member is good fun, too! These book festivals offer workshops on writing and publishing, discussions of current events, regional issues, sports, politics, religion, you name it. There was even a cooking demonstration tent at the Tucson Festival of Books, plus lots of exhibit booths by local authors, agencies, and media. C-SPAN brought their bus and broadcast much of the event. Then there is the food!

I highly recommend attending the book festival nearest you, or starting one in your own city.