One Hundred Percent AI-Free!

I am old enough to remember a humorous theoretical problem that asked something to the effect of how many years would it take a group of monkeys sitting at typewriters to crank out the works of Shakespeare. Fast forward to today, in the age of machine learning, and the questions are barely theoretical and the time frame horrifyingly immediate. How long before artificial intelligence (AI) algorithms make writers and other artists obsolete?

My one and only avatar, courtesy of my partner, Heidi, running an image through a popular filter in 2021

There is a lot to unpack here, and if you have not devoted time to follow digital and technological advances, you have some catching up to do. I am grateful there are watchdogs like Sean Thomas, who recently wrote an illuminating overview (but dark forecast) in The Spectator.Maggie Appleton penned an even more thoughtful summary in her blog. Few of us in the creative fields pay close enough attention to these things, if only in part because we do not want to know how threatening it truly is.

Artificial intelligence, as it applies to artistic endeavors in general, only came on to my own radar when friends in social media, namely Facebook, began to post about how AI images are generated. My understanding is that the algorithms are “trained” through exposure to countless existing images, overwhelmingly created by living, breathing humans. This is a form of data mining that does not credit its sources. An AI image is essentially a composite of an unknown number of previous images that informed its digital genesis. With no credit, let alone compensation, to the original artists, this is tantamount to theft.

The technology is also quickly outpacing the ability of governments to regulate it. Heck, most people in the U.S. Congress are probably blissfully unaware of it. This has not escaped the notice of the legal community, though, and a class-action lawsuit was filed recently on behalf of artists whose works were used without authorization by an AI program known as Stable Diffusion.

Ironically, and perhaps tragically, a previous legal case, Author’s Guild v. Google, resulted in a favorable decision for Google Books, which took substantial liberties in providing free “previews” of text and images for books in its search engine. Shoot, I thought that was a great thing at the time the Kaufman Field Guide to Insects of North America came out. Only a couple of spreads of plates and text would have sufficed, though.

I hate to be a cynic, but it seems apparent that corporations ultimately want a world with nothing but consumers. Everything on the production side they want automated, or at least outsourced at poverty wages. Material wealth is for CEOs and majority shareholders. Never mind that without earning a living, there can be no consumers. That is an afterthought in this day and age. Advertising copy and imagery will soon be done by computer, and does art serve any other purpose anyway?

To the best of my ability, I will be avoiding anything AI, and will not use it in creating my own writing and photography. Heck, I do not even use Grammarly, maybe because I am fortunate to have friends who are better editors than I am. They will not hesitate to message me with anything that needs correcting. Meanwhile, I will be a happy agitator for the rights of all individual human beings, especially those who are creators. Let not the corporate voices drown out the disadvantaged and underrepresented. Not on my watch.

I want to give special thanks to my friends and colleagues who originally provided the links cited here: Gwen Pearson, J.C. Scott, Steve Taylor, and Jonathan Kochmer.

Advice to Creative People

I could probably summarize my advice to other creative people in one sentence: "Get comfortable with yourself." What would be the fun in that, though? It takes awhile to grow into that mindset anyway, so here are some thoughts that might help you get there faster.

Value your works

Maybe the first thing you have to appreciate is that what you produce are "works": irreproducible images, passages, and other products of your personal vision, interpretation, and mind. Social media, and the digital age in general, has severely eroded the value that our society once assigned to the arts. Don't stand for that. Demand compensation, within reason of course, that reflects what you put into a given work. Recognize your worth as an artist and human being and don't back down from it.

Don't emulate anyone else

It is very easy to fall into the trap of believing that if you....followed the writing routine of Elmore Leonard, say, you would be much more productive and successful. Balderdash. Not everyone works the same way. A routine that is effective for one person is completely inappropriate for another. Seldom are even two consecutive days the same for my own writing style. If you are producing, then you are doing what works for you. Only if you fail completely to produce, over a long period, do you need to re-think your approach.

Make your art a priority

You do have to make your creative endeavors a priority in your life if you want to be successful. Still, recognize that on some days, even the best at their craft would sooner have a root canal than sit down at the desk, stand at the easel, or whatever. Just the same, remember that healthy eating, exercise, cultivating loving relationships with others, and personal education are also necessary for your productivity. A diversity of activities each day, or at least each week, is key to keeping energized and creative. I make it a point to take a brisk 30-minute walk every day, unless the weather poses a threat to my health.

The myth of the muse

One cannot rely on someone else, or something else for inspiration. "Write (draw, paint, etc) what you know" is a constant refrain from teachers and mentors, but there is good reason for that advice. It is a steady stream feeding your creative self, and it lends uniqueness to your voice. You must believe in your personal perspective, realm of experience, and style of expression. My personal desire to change public attitudes towards insects, spiders, and other "unlovable" creatures drives me daily. What I don't already know I learn; and I infuse my writing and photography with my personal enthusiasm and awe for the natural world.

There is no "writer's block"

If you are passionate about your work, there is no valve on creative flow. It is a constant torrent. What can happen is periodic lack of motivation and/or a lack of focus. Many of us are prone to distraction, maybe even have undiagnosed ADD. Committing to one project, be it an essay, novel, painting, or commissioned sculpture, may seem impossible at times because other projects or life events are clamoring for our attention. That is natural and afflicts everyone regardless of their occupation or career. Accept that this will happen, and take extra care of your physical and mental health when it does.

Don't compare yourself to others

Many times this will be a pitfall, something that consumes you when you are vulnerable to a sudden attack of an inferiority complex. Your measure of success must be your own. You may be prone to jealousy and envy, but most of us are. Use those emotions as motivation, not as an excuse to wallow or give up. Your uniqueness is all you have going for you. Celebrate it.

Get comfortable with turmoil

There is some truth to the "suffering artist" cliché. Passion often comes from personal experiences, circumstances, or world events and issues that you react viscerally to. Channel the rage, anger, hostility, or pain into something that moves others. Personally, I believe my greatest successes are when I express opinions and beliefs that are shared by others, but that those other people never dared broadcast out of fear. What would their friends think? How dare they say that! Be that kind of daredevil.

Don't apologize

This comes on the heels of being fearless. Do not be fearful of changing your mind or attitude when confronted by an opposing point of view that has merit; but don't apologize for expressing yourself in the moment, espousing your own personal interpretations (be they written, drawn, painted, sculpted, sung, etc) of your world. You are not responsible for how others receive your works. Your intent should never be to willfully hurt others, but you are going to cause wounds now and again and you have to accept that as part of the price of the creative process. Forgive yourself when that happens.

Don't live by someone else's standards

Did I say that already? Well, it bears repeating. Here is "A Cartoonist's Advice," by Bill Watterson, the man behind Calvin and Hobbes:

"Creating a life that reflects your values and satisfies your soul is a rare achievement. In a culture that relentlessly promotes avarice and excess as the good life, a person happy doing his own work is usually considered an eccentric, if not a subversive. Ambition is only understood if it’s to rise to the top of some imaginary ladder of success. Someone who takes an undemanding job because it affords him the time to pursue other interests and activities is considered a flake. A person who abandons a career in order to stay home and raise children is considered not to be living up to his potential — as if a job title and salary are the sole measure of human worth.

You’ll be told in a hundred ways, some subtle and some not, to keep climbing, and never be satisfied with where you are, who you are, and what you’re doing. There are a million ways to sell yourself out, and I guarantee you’ll hear about them.

To invent your own life’s meaning is not easy, but it’s still allowed, and I think you’ll be happier for the trouble."

Write your own rules

Whatever you may take from this blog post, there is greater value in what you decide is best for yourself. You will always be your own worst critic, but you have to also be your staunchest advocate. There is no one else capable to making you great. So, pin those self-affirming statements to the wall over your desk, to the frame of your easel, or mirror, or monitor. Experience joy. Make sacrifices. Accept occasional poverty (in the financial sense only). Think. Feel. Live. That is all that art is.

Success and Failure

Earlier this year I reached a decision that might be considered a failure, but my conclusion remains that it was for the best. We are collectively too self-critical, and what I want to do in this post is share how I have learned to re-frame experiences and recapture self-esteem and motivation.

The Project

Back in 2014, I signed a contract to write a field guide to U.S. spiders for an academic publisher. This sounded great at the time, but soon became overwhelming to me. I found it difficult to even begin outlining the book, and I suddenly felt inadequate in my knowledge and organizational skills. My editor was so "hands-off" as to be essentially absent, and I am not a self-motivated individual. I need deadlines. These and other reasons led me to cancel the contract.

I felt most disappointed for those who knew I had this project going and who were looking forward to my "slant" on the subject. I felt I had failed them, much more than failing myself. There is also the problem of paying back the advance. Fortunately, the publisher is being most generous with terms of re-payment. Meanwhile, I have been able to cultivate a couple new clients for smaller projects that are less daunting in scope.

Books I've had a hand in producing

Take Stock

One of the first things I did after this life-altering decision was to lay out all the other books I have had a hand (or at least a finger) in producing. I was surprised at the number, and I even forgot about one book to which I'd contributed an image; and another book to which I contributed a couple chapters but was so expensive I couldn't afford my own copy. This might seem like an exercise in egotism, but not so. It helped me to realize that I have a lot to be proud of already, and that successes can happen again.

Define "Failure"

Another thing I did was to ask myself "is this decision to terminate the contract really a failure?" My spouse might agree that it was, at least financially, but the stress relief alone was worth it to me. Recognizing my limits and my lack of motivation was actually something of a success, though I wish I had realized that sooner. Still, one does not always realize whether a project is a good fit or not until one is immersed in it. There are no "good guys" or "bad guys" in this scenario, just different methods of working. My editor at the university press is a nice man, we just did not have compatible approaches to the project. We parted ways amicably, and it appears I may have found him a much more qualified author to execute the project.

Moving On

Making up for lost income is always a great motivator, but given that my subject niche is so narrow, and markets for it evaporating almost weekly, I have to get really creative. I also have to be persistent, negotiable on payment, and dependable in delivering what I agree to. I may have to self-publish book-length projects from now on because traditional publishers are so reluctant to risk taking on new authors. Fortunately, thanks to advances in technology, and the evolution of social media and crowdfunding, self-publishing is now easier; and the quality of self-published books can equal or even exceed that of the big houses.

Don't Apologize

I advise against apologizing unnecessarily for decisions that might disappoint third parties. You do not owe anyone except yourself (and your family if you have one). You don't even owe friends and consumers an explanation. What you owe yourself is forgiveness, a positive outlook for the future, and a renewed commitment to your own personal goals. Set standards. Decide what you will and will not compromise on with your clients. Treat them fairly, but treat yourself fairly, too. Do not be afraid to say "no," especially if your instincts are sounding alarm bells. You have to protect yourself in a marketplace rife with thieves and immoral degenerates. Do your homework on clients before you approach them, if possible, to avoid the bad eggs.

End of Advice

Whatever your own occupation, vocation, or art, I hope you never feel like a failure. What really matters, of course, is our character. That is what governs all of your relationships, be they professional or personal. Strive to accept who you are, and better those "weaknesses." Some days you'll have setbacks, but how you interpret them determines your success tomorrow. Good luck.

Haiku

Haiku seems to be making a resurgence in literary circles these days, as well as among naturalists (and friends) like Susan J. Tweit, Julie Zickefoose and Abigail Parker. Abby once committed to one haiku a day, and her verses are wonderful.

My most recent attempt to date is this:

Flaming clouds at dusk
Sear the sunset sky to black
Embers glow as stars

A previous attempt yielded something silly, based on watching traffic one morning while waiting for the bus:

Speeding trees go by
Riding in truck flowerbed
Destination home?

I would love for readers of this blog to share their own haiku poems; and also share their secrets for writing regularly in an age that eats your time before you know it is gone. Take care, friends.

Diamondback Bridge

In keeping with my pursuit of animal-themed art here in the Old Pueblo, I bring you probably our most famous public art landmark, the Diamondback Bridge.

You have my apologies ahead of time for the poor images. I shot these late in the afternoon, but the landscaping around this bicycle and pedestrian overpass has also grown up a great deal and now obscures parts of the span.

The Diamondback Bridge, often mistakenly referred to as the “Rattlesnake Bridge,” was conceived and designed by local artist Simon Donovan back in 1997. It stretches 280 feet over Broadway Boulevard, just east of downtown Tucson. Well, depending on what your own research uncovers, it could be as long as three hundred feet.

The cost of construction was 2.3 million dollars, or 2.7 million if you consult another source. The artist’s fee of $24,000 covered the concept and “oversight” of the construction process. The San Francisco firm T.Y. Lin International did the actual fabrication and building.

Donovan was a stickler for detail and accuracy, replicating the serpent’s belly scales with precision in, well, scale. Each ventral segment is exactly two and one-half feet wide.

The engineers balked at this, insisting that the workmen would have great difficulty in negotiating such closely-spaced objects. Donovan was equally insistent on keeping the spacing to his specifications, and his wishes prevailed.

The project was completed in spring of 2002, with the grand opening on May 23rd of that year. It has since garnered a total of nine awards, including the American Public Works Project of the Year in 2003, and three engineering awards.

Not that the bridge has not had its share of critics. The most legitimate of those arguments cites the placement of the span. It really doesn’t go anywhere, dumping pedestrians and bicyclists at no particular destination. The immediate neighborhood is not all that safe, either.

Still, there is no disagreement that the design, execution, and overall appearance of the bridge is unique. The “tail” of the bridge even features a motion-sensor that sets off an amplified recording of a real rattlesnake’s alarming rattle. At the other end, the snake’s eyes light up at night.

Be sure to make a point of visiting this landmark the next time you find yourself in Tucson, and then you can come to your own conclusions.